Re: Darwinian evolution vs memetic evolution

From: Scott Chase (ecphoric@hotmail.com)
Date: Sat Feb 10 2001 - 00:42:54 GMT

  • Next message: Scott Chase: "Re: Darwinian evolution vs memetic evolution"

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    From: "Scott Chase" <ecphoric@hotmail.com>
    To: memetics@mmu.ac.uk
    Subject: Re: Darwinian evolution vs memetic evolution
    Date: Fri, 09 Feb 2001 19:42:54 -0500
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    >From: Chris Taylor <Christopher.Taylor@man.ac.uk>
    >Reply-To: memetics@mmu.ac.uk
    >To: memetics@mmu.ac.uk
    >Subject: Re: Darwinian evolution vs memetic evolution
    >Date: Fri, 09 Feb 2001 17:33:39 +0000
    >
    > > do any of these processes where distinct identifiabe
    > > change is what gives these forms meaning constitute processes of
    > > replication?
    >
    >Not if they require an animator, working to a storyboard. However I
    >think if you put a frame of Mickey Mouse on a photocopier and used that
    >to generate successive frames, each a copy of the last, you'd soon see
    >something - phenotypic inheritance (because there's no genotype) just
    >like for memes. You could even stretch it to have a selection process
    >for similarity to the original, or select for something else (bear with
    >me - I know the photocopier example is weak because you'll end up with a
    >black sheet eventually but I think it captures something of what I was
    >on about).
    >
    I've tried to read photocopied directions before that were many generations
    removed from the original. I gave up trying to make out the words. I also
    photocopied a rare book once. Halfway through the task a piece of page fell
    onto the glass plate and I didn't notice it for quite a few pages (and dimes
    fed into the machine).

    I think the photocopier analogy illustrates the relation between archetype
    and ectype. The original copy is the archetype or common ancestor to all
    succeeding copies at this branch point. The succeeding copies are imperfect
    representations of the original, but I guess they would serve as originals
    at their own branch points. Some branchings might, for some reason or
    another, to be better than the other offshhots from the common ancestor.
    Branchings with pieces of yellowed page occluding the image would probably
    wind up in the wastebasket. I'm babbling.
    >
    >You could easily produce an (apparently) unchanging animation of a
    >static object without breaking the definition of what constitutes an
    >animation...
    >
    There would be subtle changes, such as those pesky blotches and streaks and
    those areas where the toner didn't quite get there. Copiers tend to vary in
    how well they do the job. I've learned this the hard way. Nothing like
    photocopying a journal article and not noticing a region where the words
    don't appear in the same region(s) on every page until later. Costs money
    too.
    >
    >Incidentally has everyone seen the fun stuff that happens when you point
    >a video camera at its own monitor - very cool!
    >
    >
    Or the mirror effect when you stand between two mirrors and see yourself
    disappear into apparent infinity with a twist IIRC. It seems like the image
    takes on a greenish tint as it goes on also.

    One pressing question which I haven't gotten a good answer for relates to
    making digital copies (such as burning CD's). If you make successive copies
    with analog cassette tape the quality deteriorates quite fast. A couple
    generations later, the tape hiss is unbearable. Now digital is much cleaner,
    but is it perfect when copies are made? If you made succesive copies for
    thousands of generations A (ancestor) copied as B (generation 1), B copied
    as C (generation 2) and so on, would there be enough of an error rate for
    the quality to eventually deteriorate to the point where you could actually
    notice it when listening to a CD WAY down the line? Would occasional
    glitches begin to accumulate with the multitude of generations or is
    CD/digital copying perfect?
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