Received: by alpheratz.cpm.aca.mmu.ac.uk id SAA06658 (8.6.9/5.3[ref pg@gmsl.co.uk] for cpm.aca.mmu.ac.uk from fmb-majordomo@mmu.ac.uk); Tue, 19 Sep 2000 18:41:28 +0100 User-Agent: Microsoft Outlook Express Macintosh Edition - 5.0 (1513) Date: Tue, 19 Sep 2000 13:41:19 -0400 Subject: empirical "memetics" From: William Benzon <bbenzon@mindspring.com> To: <memetics@mmu.ac.uk> Message-ID: <B5ED1D7F.498D%bbenzon@mindspring.com> In-Reply-To: <A4400389479FD3118C9400508B0FF230040F9E@DELTA.newhouse.akzonobel.nl> Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit Sender: fmb-majordomo@mmu.ac.uk Precedence: bulk Reply-To: memetics@mmu.ac.uk
Those interested in real data should take a look at:
Colin Martindale, The Clockwork Muse: The Predictability of Artistic Change,
Basic Books, 1990.
While Martindale nowhere uses the term or concept of "meme" he more than
makes up for that "deficiently" by providing a great deal of data on the
evolution of art, mainly poetry and music, but also painting. It does
discuss mechanisims of selection and variation.
--William L. Benzon, Ph. D. 708 Jersey Avenue, Apt. 2A Jersey City, NJ 07302 201 217-1010
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