Re: Toggling nature's auto-erase

From: Robin Faichney (robin@reborntechnology.co.uk)
Date: Fri Mar 16 2001 - 10:29:31 GMT

  • Next message: Vincent Campbell: "RE: Toggling nature's auto-erase"

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    Date: Fri, 16 Mar 2001 10:29:31 +0000
    To: memetics@mmu.ac.uk
    Subject: Re: Toggling nature's auto-erase
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    In-Reply-To: <20010316014312.AAA29103@camailp.harvard.edu@[205.240.180.44]>; from wade_smith@harvard.edu on Thu, Mar 15, 2001 at 08:43:12PM -0500
    From: Robin Faichney <robin@reborntechnology.co.uk>
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    On Thu, Mar 15, 2001 at 08:43:12PM -0500, Wade T.Smith wrote:
    > Hi Scott Chase -
    >
    > >How could you have a life without memes if the meme of "memelessness" is
    > >propogated?
    >
    > Of course, it is not right to speak of the meme of memelessness, any more
    > than it is right to speak of the white of whitelessness, or the 'x' of
    > any 'x'-lessness.

    That's not quite right, Wade. The concept of memelessness is most
    certainly a meme. And to answer Scott's point, the value of that
    concept is where it contributes to a diminution, however slight, of
    memetic domination of any mind. This is about degrees, not absolutes.

    > Are there memes at work when you lurch back from a hot stove?
    >
    > This innate reaction/reflex is not memetic. (I think we can soundly
    > concur, here, on that point....) Now, what if the entire reaction we
    > could have to any input were on that same innate/reflex level, but,
    > somehow, shifted from unconscious, to conscious areas of thought?
    >
    > In order to do that, all memetic processes, those filters of perceptions
    > that experience and the living of life (that which interrupts us when
    > we're planning something) dress us up with and that we clothe ourselves
    > in willingly, would have to be discarded - at least for the direct moment
    > of the perception - and thus, a _new_ perception will be gathered.
    >
    > This, to me, has always been the artistic experience, has always been the
    > core of the creative experience, and has always been the method (if you
    > will), of the hero.

    And that's what meditation is best at: diminishing the power of memes
    over our perceptions, letting us approach closer and closer to the
    ideal of "raw feels". You obviously value the latter, but you denigrate
    meditation -- you're missing out, big time, Wade!

    (And eurekas are not artificially induced by meditation, but simply what
    happens when unconscious mental processing is given the space to come
    to the surface, due to the diminution of conscious mental activity.)

    > Joe's reminder to us that the Noble Savage lurks in the wings as a
    > mainstream spin-doctored romantic and lace-collared version of this raw
    > animal is important. Most 'counter-cultures' are faddish remnants of this
    > as well.
    >
    > The artist remains, to me, at the head of this group. Buddha and Jesus
    > and Mohammed and the Great Zarquon come up somewhere near the end of the
    > line, rememberers of the tune, not players of the music.

    Buddha left a method for getting ever closer to the experience/reality
    interface. I've been looking for 30 or so years and have yet to find
    a more effective antimemetic.

    I'll grant you artists are probably generally best at doing it, but SOME
    religions/philosophies are better at communicating how to do it.

    (And communicating how to is, of course, memetic, thus the paradox.
    But it's not a problem.)

    -- 
    Robin Faichney
    Get your Meta-Information from http://www.ii01.org
    (CAUTION: contains philosophy, may cause heads to spin)
    

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