Re: Sound symbolism and language

From: Zylogy@aol.com
Date: Sun Jan 14 2001 - 22:25:38 GMT

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    Subject: Re: Sound symbolism and language
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    To Mark Mills: Motivation is the long-used umbrella term for phonosemantic
    iconicity as well as many other phenomena in language deemed nonarbitrary.
    And nomenclatural issues continue to rear their ugly heads in this area all
    the time. Peircean usage, for instance, is still a bit wobbly in linguistic
    parlance- is it phonosemantic iconicity, or sound symbolism (which of course
    also leads us to questions of levels- surfacy phonetics (sounds) versus
    underlying system (phonology)).

    What I meant about parallel organizational principles is that the parsing of
    terms into hierarchically salient chunks sees both the signals and their
    content semantically running side by side. A fully inflected sentence is a
    whole and has parts, and the parts are wholes and have parts, and on down.
    Some of the meaning can be construed from the parts. Some from the wholes.
    And some can only be derived from the effect of the larger structures in
    relation to the smaller ones (sentences in context, for instance). Of course
    there's also meaning NOT explicitly marked but implied from the nonlinguistic
    context, speaker assumptions about listener knowledge, etc. But at the level
    of the lexical "root" such parallel organization is considered by current
    linguistic theory to halt dead in the water.

    A root *?am- meaning "eat", for instance (and similar forms attested in
    numerous languages worldwide (and one of the "etyma" often cited as evidence
    for genetic relationship)), will retain the sense of eat/ingest, etc. on up
    through derivation, inflection, and higher levels of phrasal, clausal,
    textual organization. Metaphorical extension may apply, and historical change
    may transform the etymological root into something of quite different
    appearance and glommed together with other elements, and perhaps also quite
    shifted meaning. Still, the etymological root is strongly associated with the
    meaning.

    Ok, then, what about a root such as *kam, meaning "hold", also attested from
    numbers of languages, etc. Can we ascribe a meaning to the partial **-am, or
    to the vowel or final C2 **-m? (* here means reconstructed root, either
    synchronically, from language internal data, or diachronically from a number
    of related languages).

    In many languages root final -m is associated quite strongly with notions of
    containment, coverage, apprehension, and possession. The connection is, from
    a low-resolution perspective which simply lumps all terms with final -m
    together (and only in roots, thus no -m from grammatical affixes etc.),
    statistical only. You can increase the resolution by starting to segregate
    terms by type (nouns from verbs- as mentioned in the previous post verbs tend
    to be more iconically organized than nouns, and the reason for this is that
    in many languages nouns are historically more derivative than verbs (often
    coming FROM verbs), so old, often historically hidden derivational morphology
    obscures the original root much more often than with verbs).

    I'll dig out some of my sets of examples.

    As for Zipf's law, I have noted something worth mentioning here: The words
    used most frequently in the vocabulary of any language tend to be the most
    historically stable- and thus also tend to be the ones most thoroughly
    changed by a long history. Heavy usage apparently makes up for low internal
    iconic transparency, and by and large the less changed terms appear to be of
    relatively low frequency. But there is a split in the system between terms
    which linguists call heads (modified) and dependents (modifiers). Headlike
    terms (such as verbs versus nouns) have a tendency to grammaticalize- its
    long been known that all grammatical affixational morphology derives from
    freestanding full words- not just any set of words, mind you, but those with
    a relatively broad (and thus underspecified) meaning capable of being used in
    the widest variety of contexts. One of the reasons heads need to be
    accompanied by modifiers (dependents).

    Words which enter chains of grammatization (and any language has forms in
    different stages of semantic and phonetic reduction as well as loss of
    independence (and thus attachment to other forms) tend to turn over much more
    rapidly, as a set, than those with modifier potential, which tend to
    accumulate in the historically derived lexicon (often considered by linguists
    to be the "trash bin" of language history, containing all the unpredictable
    stuff).

    Interestingly, its the LOW specificity dependent/modifier words and the HIGH
    specificity head/modified words which tend to be the iconically transparent
    ones. There are theoretical hierarchies linguists have established to explain
    such oppositions, often used in typological work (there being very different
    types of language with different associated structural tendencies). Hopefully
    something can be gleaned from these which will explain also the phonosemantic
    iconic trends.

    In the meantime, here are some of the findings of the work I'm doing: In
    phonological systems p, t, ch, k tend to be the most common stop consonants.
    Roman Jakobson (one of the leading linguistic lights of the 20th century)
    describes the set of phonological distinctive features needed to produce
    these (defined in acoustic spectral terms as well as articulatory) as grave
    versus acute- p and k are grave, t and ch acute- in as one polar opposition,
    and then compact versus diffuse - k and ch are compact, p and t diffuse. Note
    that compactness/diffuseness associates with front or back of the oral cavity
    and gravity/acuteness with height in the oral cavity.

    Phonosemantically gravity associates, in verb roots in many languages in the
    C1 position, with broad/decentralizing distributions of force or mass, while
    acute phones associate, in the same context, narrow/centralizing
    distributions of same. Compact phonemes associate with retraction,
    ingathering (towards agent away from patient) while diffuse phonemes
    associate with extention, out-releasing of same, in the same context. In C2
    some of the semantic features are reversed, and there are languages which
    reverse the entire system of position of meanings within roots, along either
    or both axes. In these latter language this appears to be a very specialized
    occurrance, one requiring historical explanation. More later.

    Jess Tauber
    zylogy@aol.com

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