Received: by alpheratz.cpm.aca.mmu.ac.uk id SAA26263 (8.6.9/5.3[ref pg@gmsl.co.uk] for cpm.aca.mmu.ac.uk from fmb-majordomo@mmu.ac.uk); Thu, 7 Feb 2002 18:38:21 GMT Date: Thu, 7 Feb 2002 13:32:20 -0500 Subject: Re: ply to Grant Content-Type: text/plain; charset=US-ASCII; format=flowed From: Wade Smith <wade_smith@harvard.edu> To: memetics@mmu.ac.uk Content-Transfer-Encoding: 7bit In-Reply-To: <2D1C159B783DD211808A006008062D3102A6D22C@inchna.stir.ac.uk> Message-Id: <058C868E-1BF9-11D6-A2E0-003065A0F24C@harvard.edu> X-Mailer: Apple Mail (2.480) Sender: fmb-majordomo@mmu.ac.uk Precedence: bulk Reply-To: memetics@mmu.ac.uk
On Thursday, February 7, 2002, at 10:22 , Vincent Campbell wrote:
> montage emerged, to some extent, out of
> how people used film, and experimented with it.
And also, (hey, it's basic), with the fact that film came in
short duration spools, and continuous filming was _impossible_.
The early, and well-heeled, studios used more than one camera,
altering POV....
Montage is an inherent property of cinema.
- Wade
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