Received: by alpheratz.cpm.aca.mmu.ac.uk id BAA20324 (8.6.9/5.3[ref pg@gmsl.co.uk] for cpm.aca.mmu.ac.uk from fmb-majordomo@mmu.ac.uk); Fri, 14 Dec 2001 01:48:03 GMT Message-Id: <200112140143.fBE1hI120071@sherri.harvard.edu> Subject: Re: Definition please Date: Thu, 13 Dec 2001 20:43:21 -0500 x-sender: wsmith1@camail.harvard.edu x-mailer: Claris Emailer 2.0v3, Claritas Est Veritas From: "Wade T. Smith" <wade_smith@harvard.edu> To: "Memetics Discussion List" <memetics@mmu.ac.uk> Content-Type: text/plain; charset="US-ASCII" Sender: fmb-majordomo@mmu.ac.uk Precedence: bulk Reply-To: memetics@mmu.ac.uk
Hi Kenneth Van Oost -
>you can round this up by calculating
>asymmetry into your equations.
I thought it was perfectly clear that I don't do equations.... Didn't get 
through calculus, although that might be because I tried it late, well 
after high school and college. And I still don't have a clue what it is.
Design demands something that evolution never will- a designer. But, yes, 
so many of the same processes and forces and, well, the environment, is 
similar that it is all too easy, and all too natural, to see this 'arrow 
of time' in both processes, even when, in both instances, it is all sheer 
accident, coincidence, and chaos.
The most wonderful Connections series by James Burke is a telling 
compendium of the environment of design and technology and society. The 
field of design is like the field of theatre- so many disciplines and 
knowledges are required to be even close to a master of it. In their very 
natures, design and theatre are a consilience of all human endeavors. And 
invention demands mothering us all.
- Wade
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