RE: Toggling nature's auto-erase

From: joedees@bellsouth.net
Date: Fri Mar 16 2001 - 02:02:13 GMT

  • Next message: Wade T.Smith: "RE: Toggling nature's auto-erase"

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    From: <joedees@bellsouth.net>
    To: memetics@mmu.ac.uk
    Date: Thu, 15 Mar 2001 20:02:13 -0600
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    Subject: RE: Toggling nature's auto-erase
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    On 15 Mar 2001, at 20:05, Scott Chase wrote:

    >
    >
    >
    >
    > >From: "Wade T.Smith" <wade_smith@harvard.edu>
    > >Reply-To: memetics@mmu.ac.uk
    > >To: "memetics list" <memetics@mmu.ac.uk>
    > >Subject: RE: Toggling nature's auto-erase
    > >Date: Wed, 14 Mar 2001 09:23:30 -0500
    > >
    > >On 03/14/01 05:40, Vincent Campbell said this-
    > >
    > > >From a memetics point of view, this whole area is very interesting.
    > > > Do memes work because they are attuned to the range of sensory
    > > >inputs that
    > >our
    > > >filtering mechanisms allow into normal consciousness? Is that why
    > > >when a colleague of mine kept singing a snippet of 'quando, quando,
    > > >quando' ,
    > >and I
    > > >then had it banging around my head for days? (If you know it,
    > > >apologies,
    > >as
    > > >I bet it'll be going round your head later today.)
    > >
    > >One has to know the tune, firstly, or hear it. "Quando, quando,
    > >quando" is totally unreferenced in my head, and so, no, it entered
    > >and left with dispatch. On the other hand, I've been carrying around,
    > >intentionally, the little tune that Jan Hammer wrote for the humorous
    > >portions of the Miami Vice episode called 'Phil the Shill', which was
    > >on TNN last night. Before that, I was intentionally wandering around
    > >with Bill Frisell's 'What Do We Do' between my virtual ears.
    > >
    > >Why? Because I like 'em.
    > >
    > >Memes do seem to work as filters, and I'm beginning to see them as
    > >only this- immediate indexers of perceptions. There is something
    > >about the ideas of surrealism that have always attracted me in this
    > >regard -
    > >
    > >"(Surrealism) declares that it is able, by its own means, to uproot
    > >thought from an increasingly cruel state of thralldom, to steer it
    > >back onto the path of total comprehension, return it to its original
    > >purity." - Andre Breton
    > >
    > >- to the point of which I have declared, manifesto-like, "To a life
    > >without memes!" which, to me, is a utopian and ideal state, as I have
    > >increasingly begun to see memetic processes as artificial and
    > >manipulistic, as I have certainly seen the motivations of those who
    > >profess to be 'memetic engineers' as faintly if at all divorced from
    > >propagandists.
    > >
    > >The idea needs to come first. If one puts spin on it and calls that
    > >spin 'memetic engineering', the idea is lost. It is up to religions
    > >and laws to so something ethically useful with it at that point....
    > >
    > >"Let us not mince words: the marvelous is always beautiful. Anything
    > >marvelous is beautiful, in fact only the marvelous is beautiful."
    > >Andre Breton, 1924
    > >
    > >If memetics has anything to do with distorting the beautiful, it is
    > >false.
    > >
    Memetics does tend to narrow our vision, but here there can be a
    trading off of breadth for depth. The lantern can shine farther into
    the dark if a reflector shines both halves of its light in the same
    direction. Likewise, the canalizing of our perceptions or attentions
    allows for more penetrating depth at the cost of some plasticity;
    isn't that what specialization's all about?

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