Received: by alpheratz.cpm.aca.mmu.ac.uk id JAA04347 (8.6.9/5.3[ref pg@gmsl.co.uk] for cpm.aca.mmu.ac.uk from fmb-majordomo@mmu.ac.uk); Sat, 10 Feb 2001 09:40:18 GMT Message-ID: <2D1C159B783DD211808A006008062D3101745C54@inchna.stir.ac.uk> From: Vincent Campbell <v.p.campbell@stir.ac.uk> To: "'memetics@mmu.ac.uk'" <memetics@mmu.ac.uk> Subject: RE: Sources of novelty (was Dar v mem evol) Date: Sat, 10 Feb 2001 09:39:33 -0000 X-Mailer: Internet Mail Service (5.5.2650.21) Content-Type: text/plain Sender: fmb-majordomo@mmu.ac.uk Precedence: bulk Reply-To: memetics@mmu.ac.uk
<I agree entirely about the miscopying thing (and I like the example
- my
> old band ended up with a really great end to a song due to a timing
> error with a four-track tape recorder). My point though, about the main
> bulk of 'novel' ideas (especially at the more mundane end), is that they
> come from within, from the variation in one's mind. When I find a new
> use for a thing (from my good old junk box in the cupboard) it's not
> because I accidentally think about it in the wrong way, I'm actively
> searching for a solution which means I have developed a new niche in my
> mind which various things try to fill. I think this recombinational mode
> is dominant rather than a truly novel mistake-driven system.>
>
I see what you're saying, but what would make that new usage a meme
is if other people started using that old thing in the new way you come up
with, and then only if they see/hear/read about your new usage. (My mind is
instantly drawn to Blue Peter and all those uses for old cereal packets and
washing-up liquid bottles (for our non-Brits, this is a long running
children's TV show)).
Vincent
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