Re: Labels for memes

From: Robert Logan (logan@physics.utoronto.ca)
Date: Wed Jan 31 2001 - 15:09:40 GMT

  • Next message: Richard Brodie: "RE: Labels for memes"

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    Date: Wed, 31 Jan 2001 10:09:40 -0500
    From: Robert Logan <logan@physics.utoronto.ca>
    To: memetics list <memetics@mmu.ac.uk>
    Subject: Re: Labels for memes
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    A wqay out of this dispute is to use de Sassure distinction between langue
    and parole

    On Wed, 31 Jan 2001, Wade T.Smith wrote:

    > On 01/31/01 04:53, Robin Faichney said this-
    >
    > >But Mozart wrote {\em an\/} opera called The Marriage of Figaro, no matter
    > >how many productions of it have subsequently taken place. Though every
    > >production is probably slightly different, these are considered versions
    > >of the same opera, rather than different operas, due to what they have
    > >in common: the information they share. A particular performance of it
    > >remains just that---a particular performance---even if it was recorded,
    > >and thousands of CD's made.
    >
    > (What is {\em an\/}...?)
    >
    > There are schools of philosophy and aesthetics that quite bluntly and
    > explainedly deny that a work, like Mozart's Figaro, has an original and
    > separate entity from its performance.
    >
    > I just saw the Boston Premiere of a Rodrigo piece for guitar and flute.
    > It was not described as the premiere of the performance, but the premiere
    > of the work. There is an identity to a piece of music that remains
    > uncomplete until it is performed. What does a score and its performance
    > have in common...?
    >
    > - Wade
    >
    > ===============================================================
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    >

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    This was distributed via the memetics list associated with the
    Journal of Memetics - Evolutionary Models of Information Transmission
    For information about the journal and the list (e.g. unsubscribing)
    see: http://www.cpm.mmu.ac.uk/jom-emit



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