From: Wade Allsopp (wade.allsopp@gmail.com)
Date: Fri 10 Feb 2006 - 16:22:57 GMT
Keith Henson wrote:
>
> >
> >As to *why* they were easy to infect, I make the case that the Islamic
> >population is aware of their poor economic prospects. This maps back to
> >the stone age when such recognition of an overloaded ecosystem (economics
> >of that time) lead to high gain of xenophobic memes and wars between
> groups
> >that reduced the population and the load on the ecosystem.
> >
I think unlike the case of the French riots, perceived economic equalities
have little to do with the cartoon
issue. Danish Muslims have not been regarded as especially economically
disadvantaged, the reaction in France
where Muslims are disadvantaged economically seems to have been quite
muted. The main thrust of the
debate has been "we want to preserve our culture from Western cultural and
economic imperialism" not we want to
follow the West down the path of economic materialism and are worried
about being able to keep up.
Scott Chase wrote:
Arabs and Muslims have been depicted as terrorists in media before this
> event. This represents a problem, but has hardly generated the sort of
> backlash seen in Europe now. Movies have had Arab or Muslim characters
> depicted as violent extremists and Arabs and Muslims are definitely
> sensitive to this sort of thing, but hasn't the reaction been more of
> verbal
> protest than violence overall? The popular show "24" has had some
> characters
> that have raised concern from Arab and Muslim Americans, but I cannot
> recall
> the reaction being more thn saying something like, "Hey this is not a fair
> depiction since it legitimizes stereotypes". Insulting the religion of
> Islam
> may not be the full reason for recent events, since insults have been cast
> before without as much of a reaction. It's probably not aspersions towards
> the religion itself that's the main factor, wrong as such aspersions may
> be
> and surely the emotional memory of such long term insult may build to a
> flashpoint over time. The main factor seems to be depiction of the
> Prophet.
> Period. Would depictions of nondescript Arabs and/or Muslims have
> generated
> this much backlash? Surely such depictions would have infuriated folks,
> but
> maybe not to the same extent depictions of Muhammed have. These depictions
> violate a very deep seated proscription key to Muslims and maybe this
> should
> be a learning experience that such tenets should be respected if there's
> going to be interfaith harmony. Some (most?) Muslims are sensitive to how
> the Prophet is portrayed. Is there any overlap between this situation and
> how Salman Rushdie incurred the wrath of some Muslims and had a fatwa
> issued
> by an Ayatollah?
I think there were three aspects to the cartoons that angered Muslims.
1. These were depictions of the prophet and you are not supposed to have
any such pictures according to current Islamic theory.
- My impression is that this was not the "real" issue though Many Muslims
may have stated it as an important reason. After all, the prohibition on
depictions was designed to stop Muslims deigning to deify Muhammad and other
prophets. No Muslims seem particularly worried about statues and pictures
of Jesus another Muslim prophet, though its probable that if the Taliban
ever came to power they would continue where they left off with the
destruction of the massive Buddha carvings. Had the pictures been
sympathetic "Gentle Jesus" type figures it's difficult to see anyone getting
too emotional at non Muslims printing them.
2. The association of Muhammad with terrorism.
- I think this is an issue which upset main mainstream Muslims. Since 9/11
and the Bali/Madrid and London bombings, mainstream Muslims have felt real
and imaginary antipathy and suspicion towards them personally and Muslims in
general on this ground, so this touched a raw nerve. I don't think the
extremists are at all concerned with such an association, which they have in
fact done their best to promote and advocate. However they knew that this
was a way of whipping up the emotions of the mainstream particularly western
Muslims so feigned outrage for their own purposes.
3. The fact that the drawings were "cartoons" is I think significant
- Many Muslims, especially Arabs and Persians are well used to slinging
often outrageous insults about each other around casually without undue
offense. However a cartoon is by its nature "something you laugh at".
Which meant for the masses in the Arab street (who have probably never seen
the actual cartoons) that Denmark and the West were laughing at them and
their religion. From a Western Judea-Christian perspective, this doesn't
seem anything to get too worked up about. In the Judea-Christian tradition,
the dominant emotion is Guilt. Guilt is all about feeling bad about
yourself whether or not anybody knows or acknowledges it if you believe you
have done something bad or wrong. What other people think is of secondary
importance, so long as you believe that you are in the right. That's why
it's so much fun (for those of us with a mischievous disposition) having
Jehovah's Witnesses come round to our door. You can invite them in and be
as rude and as critical to them as you like and they will still smile and be
polite and reasonable. You are not even hurting their feelings because
actually having an atheist make fun of them makes them feel even better
about themselves, and just kind of sorry for the poor guy who's going to get
the door of heaven slammed in his face in the hereafter. From my
observation of Muslims and their culture Guilt is not the dominant emotion
rather it's Shame. For many Muslim's it's not what they have done that is
the real issue, but what others think they have done. You can be as
corrupt as you like and if you get away with it, that's fine. It's only if
people find out and you bring shame on yourself and family that you feel
bad. Even then, it's not too bad as long as the people who do know about
it, keep quiet about it. If this is your emotional attitude then it's not
too difficult to predict the behavioural response to criticism : Righteous
indignation sometimes combined with threats or actual violence. I think for
some Muslims, especially the poor from the Middle East with little direct
exposure to Western humour, western cartoons of the prophet would be
identified with the West laughing at them and their beliefs which would
itself be identified with the assumption that the West was looking down
contemptuously on them. I think it is these emotions along with the Syrian
and Iranian governments fro their own political reasons, that have
particularly stirred emotions in the Middle East.
Wade
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