Re: electric meme bombs

From: joedees@bellsouth.net
Date: Thu 17 Oct 2002 - 01:30:04 GMT

  • Next message: joedees@bellsouth.net: "Re: electric meme bombs"

    >
    > On Wednesday, October 16, 2002, at 07:43 , joedees@bellsouth.net
    > wrote:
    >
    > > My argument is that by insisting upon the uniqueness of every
    > > performance, so that no two performances cann be deemed to be
    > > tokens of a single memetic type, you undermine linguistic definition
    > > generally.
    >
    > The uniqueness of every performance is a given. I'm not insisting upon
    > it, I'm recognizing it. This is an established aesthetic axiom as well
    > as a physical fact of spacetime. And I _am_ saying that each
    > performance can absolutely be precisely an attempt to replicate a
    > single memetic experience. Each performance of Dvorak's Eighth
    > Symphony is an attempt to utilize the memeplex (the symphony
    > orchestra) that produces the noise that Dvorak described when he
    > performed his meme and left his artifact of the score.
    >
    It is an attempt to recreate the eighth symphony which Dvorak mentally composed and physically wrote down, and if it can be recognized as a token of that type by someone familiar with other tokens of it, then it has been successfully replicated.
    >
    > But it is necessary to recognize that all performances are unique, and
    > that this is another mutative function.
    >
    > My stance rejects the very idea of non-unique memes, because it
    > recognizes the evidential certainty of unique performances.
    >
    So every smoked cigarette is unique, as is every quaffed beer, and, furthermore, so distinguishable and unassimilable that they are not tokens of beer-quaffing or cigarette-smoking memes? Hardly.
    >
    > In this way it mirrors genetics, as every mutation is a unique
    > performance of DNA, from a set of similars. Coughs from the audience,
    > squeaks from the reed, scrapings of the chair, if you will. Random,
    > uncontrollable, unforeseeable, and yet, part of the performance,
    > regardless of rehearsal or mental preparation or experience or even
    > expertise.
    >
    The genome corresponds to the entire form of the individual; a gene within it corresponds to the repeated performance of a single meme, as it encodes a single characteristic, and not the totality of the template.
    >
    > > If you reject type/token distinctions
    > > and similarities for all behaviors
    >
    > Ah, I don't think that I do.
    >
    > I only call some behaviors memes, not all behaviors, and those
    > certainly contain "that subset of significative behaviors which we
    > call communicative, that is, meaning-bearing, such as speaking,
    > writing, signing, gesticulating, miming and all the rest."
    >
    > A meme is a significative cultural behavior, if you will, in the
    > meme-is-behavior-only stance.
    >
    > Indeed, behavior is the only item we can investigate.
    >
    Actually, by not allowing the type/token distinction, which is crucial to the structure of semantic communication but anathema to your "every performance is a nonpareil" stance, you do indeed render meaningful language impossible, for lack of common referents.
    >
    > > We also need to decode the 'language of thought'
    >
    > We do, yes. The memetic models, I think, regardless of which one, help
    > in that realm.
    >
    > I just say the behavior only model does it a little more neatly.
    >
    I can't see how, since it seems to have problems even admitting the causal efficacy of that thought.
    >
    > - Wade
    >
    >
    >
    > ===============================================================
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    > see: http://www.cpm.mmu.ac.uk/jom-emit
    >

    =============================================================== This was distributed via the memetics list associated with the Journal of Memetics - Evolutionary Models of Information Transmission For information about the journal and the list (e.g. unsubscribing) see: http://www.cpm.mmu.ac.uk/jom-emit



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