From: Dace (email@example.com)
Date: Fri 02 Apr 2004 - 23:30:40 GMT
This came out about a month ago in The Mirror. Christopher Hitchens
demolition of Mel Gibson's "The Passion of the Christ" is a case study in
pathological memetics. The only part Hitchens leaves out is the origin of
the Christian anti-Semite meme. Blaming the Jews for the murder of Christ
was a tactic employed by early Christians to win favor with Rome, which was
already persecuting them. They could say, "Look, we don't have any beef
against the Romans. The bad guys here are those terrible Jews." Hence all
the nonsense about Pilate being forced by a mob of Jews to execute Jesus.
What began as a simple idea morphed into a meme. That it took on a life of
its own is indicated by the fact that it continued as strongly as ever even
after the whole empire had converted to Christianity. Gibson is clearly in
thrall to this meme, still going strong after 1900 years.
I DETEST THIS FILM ..WITH A PASSION
A few years ago, Mel Gibson got himself into an argument after uttering a
series of crude remarks that were hostile to homosexuals.
Now he has made a film that principally appeals to the gay Christian
sado-masochistic community: a niche market that hasn't been sufficiently
If you like seeing handsome young men stripped and tied up and flayed with
whips, The Passion Of The Christ is the movie for you.
Some people used to go to Ben-Hur deliberately late, and just watch the
chariot race while skipping the boring quasi-Biblical stuff. Alas, that
isn't possible with this film.
Along with the protracted torture comes a simple-minded but nonetheless
bigoted version of the more questionable bits of the Gospels. It's boring
all right - much of the film is excruciatingly tedious - but it also manages
to be extraordinarily nasty.
Gibson claims that the Holy Ghost spoke through him in the directing of this
movie, and that everything in it is from the Bible. I very much doubt the
first claim, and I can safely say that the second one is false.
The Bible does not have an encounter between Jesus and a sort of Satanic
succubus figure in the Garden of Gethsemane. The Bible does not have a raven
pecking out the eye of one of the crucified thieves. The Bible does not have
Judas pursued to his suicide by a horde of supernatural and sinister
Moreover, whatever the Bible may say, the Roman authorities in Jerusalem
were not minor officials in a Jewish empire, compelled to obey the orders of
a gang of bloodthirsty rabbis.
It was Rome that was boss. Indeed, Pontius Pilate was later recalled by the
Emperor Tiberius for the extreme brutality with which he treated the Jewish
inhabitants (and you had to be quite cruel to get Tiberius to raise his
Yet Gibson is evidently obsessed with the Jewish question, and it shows in
It also shows when he's off-screen. Invited by Peggy Noonan - a sympathetic
conservative interviewer - in Reader's Digest to say what he thought of the
Holocaust, Gibson replied with extreme cold-ness that a lot of people were
killed in the Second World War and no doubt some of them were Jews. Shit
happens, in other words. He doesn't seem to grasp the point that the war was
started by a political party which believed in a Jewish world conspiracy.
He doesn't go as far as his father, who says that the Holocaust story is
"mostly fiction" and that there were more Jews at the end of the war than there were at the beginning, but he does say that his old man has "never told me a lie".
And he does say that he bases his film on the visions of the Crucifixion
experienced by a 19th-century German nun, Anne-Catherine Emmerich, who
believed that the Jews used the blood of Christian children in their
Passover rituals. (In case you have forgotten, the setting of the film is
the Jewish Passover.)
Yesterday, as the movie opened, a Pentecostal church in Denver, Colorado,
put up a big sign on its marquee saying: "Jews Killed The Lord Jesus." Nice
In order to keep up this relentless propaganda pressure, Gibson employs the
cheap technique of the horror movie director.
Just as you think things can't get any worse, he shoves in a gruesome
The flogging scene stops, and you think: "Well, that's over." And then the
sadistic guards pick up a new kind of flagellating instrument, and start
The nails go through the limbs, one by one, and then, for an extra touch,
the cross is raised, turned over and dropped face-down with its victim
attached, so that the nails can be flattened down on the other side.
The vulg-arity and sensationalism of this would be bad enough if there
wasn't a continual accompaniment of jeering, taunting Jews who want more of
The same cynical tactic has been applied to the marketing of the movie.
Gibson is well known to be a member of a Catholic extremist group that
rejects the Pope's teachings and denounces the Second Vatican Council
(which, among other things, dropped the charge that all Jews were Christ-killers).
He went to some trouble to spread alarm in the Jewish community, which
rightly suspected that the film might revive the old religious paranoia.
He showed the film at the Vatican, and then claimed that the Pope had
endorsed it - a claim that the Vatican has flatly denied, but then every
Then he ran a series of screenings for right-wing fundamentalists only, and
refused to show any tapes to anyone who wasn't a religious nut. (It took me
ages to get around the ban and get hold of a pirated copy, and I was writing
for the Hollywood issue of Vanity Fair.)
Having secured a huge amount of free publicity in this way, and some very
lucrative advance block bookings from Christian fundamentalist groups,
Gibson now talks self-pityingly about how he has risked his fortune and his
career, but doesn't care if he "never works again" because he's done it all
The clear message I get from that is that he'll be boycotted by sinister
Hollywood Jews. So it's a win-win for him: big box office or celebrity
martyrdom. With any luck, a bit of both. How perfectly nauseating.
In a widely publicised concession, Gibson said that he'd removed the scene
where the Jewish mob cries out that it wants the blood of Jesus to descend
on the heads of its children's children.
This very questionable episode - it is mentioned in only one of the four
gospels - has in fact not been cut. Only the English subtitle has gone. (The
film is spoken in Aramaic and Latin, though Roman soldiers actually spoke a
dialect of Greek.)
So when the film is later shown, in Russia and Poland, say, or Egypt and
Syria, there will be a ready-made propaganda vehicle for those who fancy a
bit of torture and murder, with a heavy dose of Jew-baiting thrown in.
Gibson knows very well that this will happen, and he'll be raking it in from
exactly those foreign rights to the film.
So my advice is this. Do not go.
Leave it to the sickos who like this sort of thing, and don't fill the
pockets of the sicko who made it.
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Journal of Memetics - Evolutionary Models of Information Transmission
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